Check-Up: Darshan Jesrani
May 29, 2012
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When it comes to New York City DJ/producers, Darshan Jesrani's work is pretty close to unparalleled. As half of the disco revivalist/house duo, Metro Area, he's been a visible member of the dance music world for well over a decade, thought he's been producing in some way, shape, or form for closer to two. In addition to working with Morgan Geist, he's also been behind a number of more recent records, like the Arcade Lover 12" that came out on Tirk a few years back. We caught Darshan for our newest installation of Check-Up.
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What have you been working on as of late?
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A whole bunch of stuff, all happening very slowly in parallel. Â I recently finished the control room part of a studio space in Brooklyn. Â I used to live there a while ago, when I first moved to [the neighborhood]. Over the years, in-between touring, I've been converting it to a studio and work space. Â After I was able to set my gear back up and work again I did a bunch of sketches for what I was hoping would end up as a new Metro Area album, but we've changed course, so I've been working on a new sound for myself, a new project, and new label.
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What's your next release going to be? And when?
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The main thing on the horizon is my new project, coming out late summer/early fall on my own label. Â I'll also have some remixes being released around then as well. Â One for Nina Kraviz on Rekids, and a couple of others.
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What's something you're looking forward to this year?
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Please see directly above! Â I really can't wait for the first of this new stuff to be out in the world. Â The things I release as singles will be more disco/club oriented but I also want to move on and do an album.Â
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What's your favorite release of 2012 so far?
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It hasn't happened yet (wink wink). Â I'm not sure really. Â I'm not the best person to ask because I only casually pay attention to what's coming out. Â I kind of skim the surface of the marketplace nowadays and depend a lot on tips from friends. Â There are some people out there doing interesting things.Â
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Have you had any cool tours or gigs recently? Anything particularly memorable?
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My last tour was really enjoyable and, more importantly, re-affirmed my faith in playing the stuff I love, rather than depending on pure hardness or brute force or repetition to get over and get a vibe going with dancers.  It was really nice to see people respond to mixed sets of old and new music and to just let it be without expecting specifics – modern, retro, house, disco, etc.
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What was the last piece of equipment you bought and why?
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My last purchase was a boring, functional peace of gear that lets me interface my laptop with the rest of my shit (console, A/D converters, etc.), but the thing I bought before that is what I'm more excited about. Â It's an old Korg/Univox analog monophonic (one voice, so no chords) synthesizer that looks like it was made for someone who's like, an organ player, or who doesn't want to program. Â It's got very simple controls and sounds like it's from space. Â It's got no MIDI and no way to control it remotely from the computer so you have to play everything and record traditionally, then edit afterwards. Â I've been wanting this juicier, mid-70s analog sound instead of the more precise 80s timbres and this is a great first step.
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What's something valuable you've learned or discovered this year?
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I think there have been a lot of little revelations about recording and writing. Â Just the lessons that happen almost every day when you make attempts that don't end up working exactly as you'd hoped the first time around. Â You're forced to troubleshoot, and then just naturally end up problem solving and developing a process and a set of values that guide your way forward. Â It strengthens faith in one's own ability to mold sounds and musical parts to the way they've been imagined.
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When—if ever—will Metro Area return with an actual release?
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Not sure! Â We've both been developing solo ideas lately so it's all a bit up in the air for now.


















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